2026-09-13

Somewhere Towards the End(暮色將盡)

 Somewhere Towards the End(暮色將盡)


作者:Diana Athill(戴安娜·阿西爾)


英文簡短書評


Written when Diana Athill was in her late eighties, Somewhere Towards the End is an unflinching memoir of ageing. Free from sentimental clichés about graceful growing old, she candidly records physical decline, bereavement, loss of friends and her calm reflection on death. Drawing on decades as a distinguished literary editor, she looks back on romantic relationships, her deliberate choice to remain childless, and the quiet freedom that arrives in later life. Witty, restrained and unself‑deceiving, this slim volume offers no ready‑made solutions, only honest meditation on accepting life’s natural limits. It is highly recommended for readers contemplating retirement and the later stages of life.


Resenha em português europeu(歐洲葡語書評)


Escrito por Diana Athill já perto dos noventa anos, Somewhere Towards the End é uma memória sincera sobre o envelhecimento. Livre de lugares-comuns sentimentais sobre envelhecer com elegância, a autora regista sem ilusões o declínio físico, a perda de amigos e a sua reflexão serena sobre a morte. Com base numa longa carreira como editora literária, revisita as suas relações amorosas, a decisão consciente de não ter filhos e a liberdade tranquila que a idade madura traz. Espirituosa, contida e autêntica, esta obra curta não apresenta fórmulas fáceis; apenas uma meditação honesta sobre aceitar os limites naturais da vida. Recomendada a quem pondera a reforma e a segunda metade da existência.


三語精選金句


繁中:我們不只是投向虛無細線末端的一個點,我們是廣闊多彩生命長河的一部分,承載誕生、成熟、衰敗與新生。

English:We are not just dots at the end of thin black lines projecting into nothingness, but are parts of the broad, many coloured river teeming with beginnings, ripenings, decayings, new beginnings.

Português:Não somos apenas pontos no fim de finas linhas negras que se projectam no vazio; somos parte do amplo e multifacetado rio da vida, repleto de inícios, amadurecimentos, declínios e novos começos.


繁中:不要浪費時光不停抱怨;悲觀只會讓晚年變得更加沉悶。

English:Let us not waste our time grizzling. The slide into pessimism is very boring and it makes dreary last years even drearier.

Português:Não percamos tempo a queixar‑nos. A tendência para o pessimismo é muito aborrecida e torna os últimos anos sombrios ainda mais penosos.


繁中:老年最首要的課題,是好好活在當下。

English:To get through the present is a paramount concern in old age.

Português:Viver o presente é a preocupação primordial na velhice.


Somewhere Towards the End(中文譯名:《暮色將盡》)


作者:Diana Athill 戴安娜·阿西爾


書籍內容概要


這本回憶錄是作者91歲時寫成,榮獲Costa傳記獎、美國國家書評人獎。

身為英國傳奇資深文學編輯,她卸下職場身份,坦誠書寫步入老年的真實狀態:


1. 老年帶來的各種失去:體力衰退、友人陸續離世、身體機能下滑,不美化衰老的痛楚;


2. 回望一生:几段感情、選擇終身不生育、反省性格裡的自私與勇氣不足,少有沉重的懊悔;


3. 直面死亡:拋開浪漫化或恐懼式敘述,接受衰老是自然循環;


4. 老年微小的收穫:更少世俗束縛、學會簡化慾望,依舊能從閱讀、園藝、友誼獲得喜悅。


全書文風冷靜幽默、語調克制,沒有心靈雞湯式大道理,只是一位高齡知識女性真誠的自我審視。


書評 & 是否值得閱讀


優點


✅極度真誠,避開兩種常見套路:不把老年描寫成悲劇,也不強行鼓吹「優雅地老去」;

✅文字簡練易讀,篇幅不長(約200頁),適合思考退休、晚年規劃的讀者;

✅啟示:不必耗費時間沉溺怨懟;衰老同時伴隨束縛的解脫,重點學習與有限的餘生和平共處;

✅女性視角,探討無子女的晚年、情感與獨立自我,參考價值高。


局限


❌偏向個人生命體悟,沒有系統的方法論;尋求具體「養老指南」的讀者會覺得內容偏散;

❌作者出身優渥,健康、經濟基礎良好,部分經歷難以直接對照普通人處境。


總結:值得讀嗎?


推薦閱讀。

尤其適合正在思考晚年生活、面對年齡焦慮、構思退休人生規劃的人。它提供一種平和的心態範本:接納生命必然的消逝,在有限條件裡守住屬於自己的樂趣與自由。


精選金句(繁中|英文)

我們不只是投向虛無細線末端的一個點,我們是廣闊多彩生命長河的一部分,承載誕生、成熟、衰敗與新生。

We are not just dots at the end of thin black lines projecting into nothingness, but are parts of the broad, many colored river teeming with beginnings, ripenings, decayings, new beginnings.

不要浪費時光不停抱怨;悲觀只會讓晚年變得更加沉悶。

Let us not waste our time grizzling. The slide into pessimism is very boring and it makes dreary last years even drearier.

老年最真實的功課,是學習好好活在當下。

To get through the present is a paramount concern in old age.


2026-09-12

The Poisonwood Bible

 The Poisonwood Bible


Author: Barbara Kingsolver, published 1998


Brief Summary


In 1959, Baptist missionary Nathan Price brings his wife Orleanna and four young daughters from America to Belgian Congo. Blinded by rigid religious zeal, Nathan imposes his faith without respect for local culture. As Congo fights for independence, catastrophe strikes the family. Narrated alternately by the five women, the story spans thirty years, exploring guilt, colonial arrogance, fractured family bonds, and the slow journey toward moral reckoning.


Book Review


This sweeping literary epic uses one family’s tragedy to mirror the damage of Western imperialism. The strength lies in its five distinct female voices, each shaped by grief, displacement and awakening. Kingsolver writes rich, immersive African landscapes and delivers sharp critique of blind missionary righteousness. Though dense and lengthy, it confronts uncomfortable truths about good intentions that turn destructive. A profound meditation on freedom, complicity and redemption.


1. Chinese brief review


《毒木聖經》講述美國牧師攜家前往剛果傳教的三十年滄桑。透過家中五位女性輪流敘事,批判西方宗教與殖民主義的傲慢,探討罪疚、文化衝突與家庭傷痛,格局宏大,文字飽滿厚重。


2. Worth to read?


Highly recommended for readers who enjoy layered historical literary fiction. It is long and emotionally heavy; readers seeking light, fast plots may find its measured pace demanding.


Core highlights


1. Multi‑perspective female narration, each daughter forms a unique outlook on life.


2. Seamlessly weaves personal family tragedy together with real African modern history.


3. Sharp reflection: well‑meaning arrogance often brings greater ruin.



The Sweetness of Water

 The Sweetness of Water


Author: Nathan Harris

Longlisted for Booker Prize • Oprah’s Book Club pick


Brief Summary


Set in Georgia right after the American Civil War. Two formerly enslaved brothers, Prentiss and Landry, find work on farmer George Walker’s farm. They hope to earn money and reunite with their mother. Fragile friendship grows between them, yet racial hatred and hidden forbidden love in the town threaten everyone’s peace. The novel explores the cruel gap between legal freedom and real liberty。


Book Review


This tender, lyrical debut captures America’s painful transition after slavery. Harris writes quietly about humanity amid prejudice, avoiding loud melodrama. Every character carries grief and longing. Its slow, meditative pace lets readers feel how fragile justice can be. A moving meditation on freedom, belonging and the cost of compassion, though some plot turns feel predictable.


1. Chinese brief review

《水之甘甜》聚焦美國內戰剛結束的南方。兩名獲釋奴隸兄弟在農場謀生,渴望尋回母親。小說筆觸溫柔克制,刻畫自由之名底下依舊橫亙的種族偏見,探討人性、友誼與憂傷,節奏偏從容。


2. Worth to read?

Yes, if you like thoughtful historical literary fiction. Its calm prose and deep human observation reward patient readers. Those looking for fast‑paced dramatic plot may find it slow.



Lonesome Dove

 Lonesome Dove


Author: Larry McMurtry

Published: 1985 | Pulitzer Prize for Fiction, 1986


Book Summary


Set in the late 1870s, the epic opens in the dusty border town Lonesome Dove, Texas. Two retired legendary Texas Rangers — Augustus “Gus” McCrae, witty, warm‑hearted and sentimental, and Woodrow Call, stoic, duty‑obsessed and emotionally reserved — run a modest ranch outfit. Spurred by ambition, Call persuades Gus and their crew to undertake a gruelling cattle drive thousands of miles north from Texas to unsettled Montana territory.


Along the trail, the company faces storms, river crossings, outlaws, native raiders, disease and personal tragedy. Threads weave in Lorena, a prostitute seeking freedom, Jake Spoon, a reckless former ranger, and Newt, Call’s unacknowledged teenage son. The journey strips away romantic frontier glamour: hardship, loss and moral ambiguity prevail. When Gus suffers a fatal wound, his final wish forces the closed‑off Call to carry his friend’s body all the way back to Texas, a quiet pilgrimage that reveals depths of suppressed loyalty and grief. The story closes as the wild frontier begins to fade, marking the end of an era.


Book Review


Far more than a cowboy adventure, Lonesome Dove redefined Western fiction, peeling apart Hollywood myths to depict the Old West as raw, cruel and profoundly human. McMurtry’s greatest achievement lies in characterisation: Gus and Call form one of literature’s most unforgettable friendships, opposites bound by decades of shared danger. Their bond outshines every romantic subplot, exploring loyalty, unspoken affection and the limits of masculine restraint.


The narrative is sweeping and unhurried. Its immense length lets minor figures breathe; no one exists merely as hero or villain. Violence carries lasting consequences, luck is fragile, and many dreams dissolve into weariness and sorrow. The vast landscape is itself a quiet character — beautiful, unforgiving, indifferent to human hopes.


Critics fairly note its considerable size can intimidate casual readers. Yet the measured pacing serves its purpose: this is a meditation on ageing, loss, unfulfilled love and the vanishing American frontier. Equal parts humour and heartbreak, it balances grand epic scale with intimate moments of vulnerability.


Verdict: A towering American classic. It rewards patient reading and stays etched in memory long after the final page, essential not only for Western fans but for anyone drawn to stories of friendship, endurance and the quiet tragedy of passing time.


Core Themes


1. The enduring power of male friendship and silent devotion


2. The end of the wild frontier and the closing of an age


3. Masculinity, repressed feeling and the difficulty of vulnerability


4. The gap between frontier myth and harsh reality


5. Mortality, unfinished longing and journeys without easy victory


中文簡短評述

《孤鴿》講述兩名退役騎警趕牛遠征的西部史詩。書中打碎牛仔浪漫神話,以漫長旅途刻畫友誼、衰老與時代落幕,人物立體,滿載滄桑厚重感。


2. 是否值得一讀

值得。它是西部文學經典,情感深沉;唯篇幅極長、節奏從容,適合能夠耐心閱讀史詩作品的讀者,追求快節奏劇情的人或許會覺得沉緩。


《孤鴿》精彩之處


1. 人物塑造極為立體

古斯與考爾這對搭檔反差鮮明,一人灑脫感性、一人剛毅克制,兩人數十年的知己情誼,沒有刻意煽情,沉潛於細節,是文學史上經典的友誼描寫。


2. 還原真實西部,打破浪漫牛仔神話

摒棄好萊塢式牛仔傳奇,不美化邊疆。長途趕牛路上滿是疲勞、病痛、殘酷衝突,直面殘酷的生存本質。


3. 格局兼具史詩與細膩

宏大的跨州趕牛旅程,同時細細刻畫凡人的心事:隱藏的親情、未了的愛、衰老與死亡,探討一個時代緩緩落幕的滄桑感。


4. 對白質樸耐讀

文字簡練,人物對話自然,於平淡對話裡藏著人生感慨,讀起來真實動人。


《古意》

 《古意》


唐 · 王駕


夫戍蕭關妾到吳,

白楊風起夜相呼。

一行書信千行淚,

寒到君邊衣到無。


1. English


Title: Ancient Ballad

Author: Wang Jia (Tang Dynasty)

You guard Xiao Pass; I dwell in Wu’s domain.

White poplars sigh at night, as if they call our name.

One brief written line bears a thousand tear-streaks,

Cold reaches you — has the warm garment come to your cheeks?


2. Português europeu(歐陸葡語)


Título: Balada Antiga

Autor: Wang Jia (Dinastia Tang)

Tu defendes a Passagem de Xiao, eu habito em Wu.

Os álamos brancos sussurram à noite, como se nos chamassem.

Uma linha de carta traz mil linhas de lágrimas,

O frio chega até ti — será que a roupa quente já te chegou?


3. Français


Titre: Ballade ancienne

Auteur : Wang Jia (Dynastie Tang)

Tu gardes le col de Xiao, moi je demeure au pays de Wu.

Les peupliers blancs soupirent la nuit, comme pour nous appeler.

Une ligne de lettre porte mille traces de larmes,

Le froid te parvient : le vêtement chaud est-il arrivé chez toi?


4. Deutsch


Titel: Alte Ballade

Autor: Wang Jia (Tang-Dynastie)

Du bewachst den Xiao-Pass, ich wohne im Land Wu.

Weiße Pappeln rauschen nachts, als riefen sie uns beide.

Eine Zeile Brief trägt tausend Tränenspuren,

Die Kälte erreicht dich – ist das warme Kleid bei dir angekommen?


5. 日本語


題名:古意

作者:王駕(唐)

君は蕭関を守り、妾は呉の地に住む。

白楊の風立ち、夜に互いを呼ぶかの如し。

一行の書に千行の涙、

寒さ君のもとに届く、衣は届きしや。


6. 繁體中文(基準原文)


《古意》唐·王駕

夫戍蕭關妾到吳,

白楊風起夜相呼。

一行書信千行淚,

寒到君邊衣到無。


《江陵愁望有寄》

 《江陵愁望有寄》


唐 · 魚玄機


楓葉千枝復萬枝,江橋掩映暮帆遲。

憶君心似西江水,日夜東流無歇時。


1. English


Title: Gazing with Sorrow from Jiangling, a Letter Sent to My Beloved

Author: Yu Xuanji (Tang Dynasty)

A thousand maple boughs, ten thousand more,

Beneath the bridge, dusk sails drift slow to shore.

My longing for you resembles the West River’s tide,

Flowing east by day and night, it never rests nor bides.


2. Português europeu(歐陸葡語)


Título: Olhar com mágoa em Jiangling, uma mensagem enviada

Autor: Yu Xuanji (Dinastia Tang)

Mil ramos de bordo, depois dez mil ramos,

Sob a ponte do rio, ao entardecer, as velas avançam devagar.

A saudade que sinto por ti é como a água do Rio Ocidental,

Que flui para leste dia e noite, sem nunca parar.


3. Français


Titre: Regard mélancolique depuis Jiangling, lettre envoyée

Auteur : Yu Xuanji (Dynastie Tang)

Mille branches d’érable, puis dix mille branches,

Sous le pont du fleuve, au crépuscule, les voiles avancent lentement.

Mon souvenir de toi ressemble aux eaux du fleuve occidental,

Qui coule vers l’est jour et nuit, sans jamais s’arrêter.


4. Deutsch


Titel: Trauriger Blick von Jiangling, ein Brief gesandt

Autor: Yu Xuanji (Tang-Dynastie)

Tausend Ahornzweige, dann zehntausend Zweige,

Unter der Flussbrücke gleiten die Segel der Dämmerung langsam dahin.

Meine Sehnsucht nach dir gleicht dem Wasser des Westflusses,

Es fließt Tag und Nacht nach Osten, ohne jemals zu ruhen.


5. 日本語


題名:江陵にて愁望し寄せる

作者:魚玄機(唐)

楓の枝は千、また万に及び、

川の橋に霞み、夕暮れの帆は遅し。

君を思う心は西江の水の如し、

昼も夜も東へ流れ、休む時なし。


6. 繁體中文(基準原文)


《江陵愁望有寄》唐·魚玄機

楓葉千枝復萬枝,江橋掩映暮帆遲。

憶君心似西江水,日夜東流無歇時。

《望月懷遠》

 《望月懷遠》


唐 · 張九齡


海上生明月,天涯共此時。

情人怨遙夜,竟夕起相思。

滅燭憐光滿,披衣覺露滋。

不堪盈手贈,還寢夢佳期。


1. English


Title: Viewing the Moon, Longing for the Distant One

Author: Zhang Jiuling (Tang Dynasty)

Above the sea rises the bright moon;

We share this moment, though worlds apart.

Lovers grieve through the long night,

Roused all night by longing in the heart.

I blow the candle out, admiring the full glow;

I wrap my robe, and feel the dewdrops grow.

I cannot gather moonlight to send to thee,

I return to bed, to dream our tryst to see.


2. Português europeu


Título: Contemplar a lua e ansiar por quem está longe

Autor: Zhang Jiuling (Dinastia Tang)

Sobre o mar surge a lua brilhante,

Partilhamos este instante, separados pela distância.

Os amantes sofrem na longa noite,

A saudade desperta-os durante toda a vigília.

Apago a vela para admirar o pleno brilho lunar,

Visto a túnica e sinto a humidade do orvalho.

Não consigo recolher a luz da lua para te oferecer,

Volto para a cama, para sonhar com o nosso encontro desejado.


3. Français


Titre: Regarder la lune, songer à l’absent

Auteur : Zhang Jiuling (Dynastie Tang)

Sur la mer naît la lune claire,

Nous partageons ce moment aux confins du monde.

Les amants souffrent de la longue nuit,

Toute la nuit, le souvenir les inonde.

J’éteins la bougie, charmé par sa pleine clarté,

Je mets ma robe et sens la rosée pénétrer.

Je ne puis porter cette lumière pour te l’offrir,

Je retourne au lit, rêvant notre rendez-vous à venir.


4. Deutsch


Titel: Den Mond betrachten, nach dem Fernen sehnen

Autor: Zhang Jiuling (Tang-Dynastie)

Über dem Meer ersteht der helle Mond,

Wir teilen diese Stunde, fern voneinander getrennt.

Liebende klagen über die lange Nacht,

Die Sehnsucht weckt sie die ganze Nacht.

Ich lösche die Kerze, bewundere das volle Licht,

Ich ziehe mein Gewand an und spüre den Tau, der bricht.

Ich kann das Mondlicht nicht sammeln, um es dir zu schenken,

Ich kehre ins Bett zurück, um von unserem Treffen zu träumen.


5. 日本語


題名:月を望んで遠き人を偲ぶ

作者:張九龄(唐)

海より明月昇り、

天涯の人、同じ時を共にす。

恋人は長き夜を嘆き、

終夜、相思の念湧き起こる。

燭を消して満ちた光を愛で、

衣をまとい、露の潤いを覚える。

手に満たして贈ることかなわず、

床に就き、めでたき逢瀬を夢見る。


6. 繁體中文(基準原文)


《望月懷遠》唐·張九齡

海上生明月,天涯共此時。

情人怨遙夜,竟夕起相思。

滅燭憐光滿,披衣覺露滋。

不堪盈手贈,還寢夢佳期。

《夜雨寄北》

《夜雨寄北》


唐 · 李商隱


君問歸期未有期,巴山夜雨漲秋池。

何當共剪西窗燭,卻話巴山夜雨時。


1. English


Title: Night Rain Sent North

Author: Li Shangyin (Tang Dynasty)

You ask when I’ll return; no date I can declare.

Night rain on Ba Mountain swells the autumn mere.

When shall we sit and trim the candle by west window,

And speak of this night rain upon the mountain here?


2. Português europeu


Título: Chuva noturna, enviada para o Norte

Autor: Li Shangyin (Dinastia Tang)

Perguntas quando regresso, mas não tenho data certa.

A chuva noturna na Montanha Ba enche o lago outonal.

Quando poderemos aparar juntos a vela à janela oeste,

E falar desta chuva noturna da Montanha Ba?


3. Français


Titre: Pluie nocturne, lettre au Nord

Auteur : Li Shangyin (Dynastie Tang)

Tu demandes le jour de mon retour, je n’en sais rien.

La pluie nocturne sur le mont Ba gonfle les étangs d’automne.

Quand pourrons-nous tailler la bougie près de la fenêtre ouest,

Et reparler de cette pluie nocturne du mont Ba?


4. Deutsch


Titel: Nachtregen – Brief nach Norden

Autor: Li Shangyin (Tang-Dynastie)

Du fragst nach meiner Heimkehr, doch ein Termin steht nicht fest.

Der Nachtregen am Ba-Berg schwillt die Herbstteiche an.

Wann werden wir gemeinsam die Kerze am Westfenster kürzen,

Und von dieser Nacht des Regens am Ba-Berge sprechen?


5. 日本語


題名:夜雨 北に寄す

作者:李商隠(唐)

あなたは帰る日を尋ねるが、まだ定かではない。

巴山の夜の雨が、秋の池を満たしている。

いつの日か、西の窓辺で共に燭を剪り、

巴山のこの雨夜の思いを語り合おう。


6. 中文(繁體原作,基準文本)


《夜雨寄北》唐·李商隱

君問歸期未有期,巴山夜雨漲秋池。

何當共剪西窗燭,卻話巴山夜雨時。

No Title

 《無題》


唐 · 李商隱


來是空言去絕蹤,月斜樓上五更鐘。

夢為遠別啼難喚,書被催成墨未濃。

蠟照半籠金翡翠,麝熏微度繡芙蓉。

劉郎已恨蓬山遠,更隔蓬山一萬重。


English literary translation


Your promised coming was but empty word; you left and vanished out of sight.

The moon slants o’er the tower; the fifth watch bell rings through the night.

I wept in dream for parting far, yet could not call you back to me.

I hastened to write letters, ink scarce thick enough to see.

Candlelight half veils the quilt embroidered with kingfishers gold,

Musk fragrance drifts softly through hibiscus tapestries unfold.

Even Liu Lang lamented Penglai’s distant fairy shore;

Yet between us lie ten thousand folds of Penglai mountains more.


Tradução em Português europeu


A tua promessa de vinda foi apenas palavra vã; partiste e desapareceste sem rasto.

A lua inclina-se sobre a torre; o sino da quinta vigília ressoa pela noite.

No sonho chorei pela separação distante, mas não consegui chamar-te de volta.

Apressado, compus a carta, a tinta ainda não estava espessa.

A luz da vela cobre parcialmente o edredom bordado com peixes dourados,

O aroma de almíscar flui suavemente através dos cortinados de hibisco.

Até Liu Lang lamentava a distância da montanha mágica de Penglai;

Mas entre nós erguem-se mais de dez mil camadas de montanhas de Penglai.

《有所思》

 《有所思》


唐 · 盧仝


當時我醉美人家,美人顏色嬌如花。

今日美人棄我去,青樓珠箔天之涯。

天涯娟娟姮娥月,三五二八盈又缺。

翠眉蟬鬢生別離,一望不見心斷絕。

心斷絕,幾千里?

夢中醉臥巫山雲,覺來淚滴湘江水。

湘江兩岸花木深,美人不見愁人心。

含愁更奏綠綺琴,調高弦絕無知音。

美人兮美人,不知為暮雨兮為朝雲。

相思一夜梅花發,忽到窗前疑是君。


English literary translation


Once I revelled in the beauty’s dwelling place,

Her countenance bloomed tender as a flower’s grace.

Today she turns and leaves, far beyond the sky,

Pearl curtains veil her mansion where she lies.

The moon of Chang’e hangs gentle in the sphere,

Waxing and waning each lunar fortnight here.

Her green brows, silken tresses torn apart,

One gaze lost, and my weary heart breaks apart.

Broken heart, across how many miles away?

In dreams I rest amid Wushan’s cloud array;

I wake, and tears descend on Xiang River’s tide.

On both banks blooms thick foliage far and wide.

She comes not forth; grief lingers in my breast.

I play my zither, sorrow in my quest;

The tune so lofty, strings snap, no ear to hear.

O beauty, shall you be dusk rain or dawn’s clear sphere?

Through one night of longing plum blossoms unfold,

I see them at the window, and take them for your form of old.


Tradução em Português europeu


Uma vez embriaguei-me na casa da bela,

O seu rosto era delicado como uma flor.

Hoje ela abandona-me, distante nos confins do céu,

Cortinas de pérolas ocultam a sua morada.

A lua de Heng’e brilha suave no firmamento,

Cresce e minguava a cada quinzena lunar.

As suas sobrancelhas verdes e cabelos sedosos separados pela despedida,

Um olhar perdido, e o meu coração despedaça-se.

Coração partido, quantos quilómetros nos separam?

Nos sonhos repouso entre as nuvens de Wushan;

Ao despertar, as lágrimas caem no rio Xiang.

Em ambas as margens a vegetação é densa,

E a ausência da bela enche-me de tristeza.

Com mágoa toco a cítara verde,

A melodia é elevada, as cordas rompem‑se sem quem a ouça.

Bela, bela, serás chuva do entardecer ou nuvem da alvorada?

Durante uma noite de saudade, as flores de ameixeira desabrocham,

Chegam à janela, e confundo-as com a tua figura.

Search This Blog

About Me

A tiny dust in the universe.