2026-10-09

Anne Carson

 ✍️ 安妮·卡森 Anne Carson(2026諾貝爾文學獎得主)

瑞典學院頒獎詞:「以大膽而富創意嘅作品,同古典傳統展開充滿玩味嘅對話,為當代文學創造出全新形式」


Anne Carson — Biography & Major Works 

Biography

Anne Carson, born in Toronto in 1950, is a Canadian poet, classicist, essayist and translator, recipient of the Nobel Prize in Literature 2026. The Swedish Academy awarded her the prize “for her bold and inventive oeuvre that, in playful dialogue with the classical tradition, has created new forms for contemporary literature.”

Her lifelong fascination with ancient Greek literature began in secondary school, when a Latin teacher taught her ancient Greek voluntarily during lunch breaks. Though she interrupted her studies twice in her youth, she eventually completed her doctorate in Classics at the University of Toronto. She later held professorships at McGill University, New York University, Princeton University and the University of Michigan, dividing her life between scholarly research, teaching and literary creation.

Carson’s writing is nourished by personal loss and solitude. Her first marriage, which ended in breakdown, became the emotional foundation for The Beauty of the Husband. Her elder brother disappeared and remained out of contact for more than two decades; this prolonged absence inspired her meditative work Nox. Diagnosed with Parkinson’s disease in later years, she continues to write and practise boxing as a quiet resistance against bodily fragility. She now resides in Iceland with her husband.

What distinguishes her writing is the fusion of classical philology and poetic innovation. She does not merely retell Greek myths or translate ancient texts literally. Instead, she blurs the boundaries between poetry, prose, academic notes, drama and visual fragments, reimagining antique stories into modern meditations on desire, loneliness, loss and time. The critic Harold Bloom described her as one of the greatest living writers, comparable to Emily Dickinson.

Major Works

1. Eros the Bittersweet (1986)

Originating from her doctoral research, this is her breakthrough publication. It explores the ancient Greek concept of Eros, arguing that desire is inherently intertwined with absence and longing. This book established her core philosophical vision.

2. Autobiography of Red (1998)

A novel in verse, her most celebrated work. Reworking the myth of Heracles and Geryon, she transforms the ancient monster myth into a modern narrative of vulnerable youth, love and heartbreak. The Nobel committee cited this book as representative of her power to transpose classical heritage into contemporary life.

3. The Beauty of the Husband: A Fictional Essay in 29 Tangos (2001)

This work won the T. S. Eliot Prize, making her the first female recipient of this award. Structured as twenty-nine tangos, it contemplates marital collapse, betrayal and the painful lucidity of love and loss.

4. If Not, Winter: Fragments of Sappho (2002)

Her landmark translation of Sappho. Unlike many translators who fill the gaps in Sappho’s fragmented poems, Carson retains all blank spaces marked by brackets. She lets “absence” become part of the poem itself. This edition is widely regarded as one of the most authoritative Sappho translations worldwide.

5. Nox (2010)

A unique book-object composed of letters, photographs, notes and poems, created in memory of her long-lost brother. It is a sustained elegy on separation, memory and the persistence of the absent within the mind.

6. Selected Greek Tragedy Translations

She translated Sophocles’ Electra, Antigone and Euripides’ Bakkhai. Her translations are not simple linguistic rendering; they are creative reinterpretations that breathe new theatrical life into classical tragedy.


安妮·卡森|文學金句 


1. 《愛欲苦甜》


中文:情愛本屬甘苦參半。其所以有甜,正因永遠無法全然擁有。

英文:Eros is bittersweet. It is sweet precisely because it can never be fully possessed.

歐葡:O Eros é agridoce. É doce precisamente porque nunca pode ser possuído por completo.


2. 《丈夫之美》


中文:一切情愛,皆是一場修煉,教人看清萬物於失落之後的真實樣貌。

英文:All love is training to see the world as it looks after loss.

歐葡:Todo o amor é um treino para ver o mundo tal como ele aparece depois da perda.


3. 《紅的自傳》


中文:孤獨往往並非身側無人,而是無人能夠與你共見世間風景。

英文:Often loneliness is not the absence of people, but the absence of anyone who sees what you see.

歐葡:Muitas vezes, a solidão não é a ausência de pessoas, mas a ausência de alguém que veja o que tu vês.


4. 《如果不是,冬天》


中文:時間如海,徐徐吞盡世人執意留存的一切。

英文:Time is a sea that slowly swallows everything we wish to keep.

歐葡:O tempo é um mar que devora lentamente tudo o que desejamos conservar.


5. 諾貝爾訪談


中文:寫作不在提供終局答案,而在令疑問恆久存續。

英文:Writing is not to supply answers, but to keep the question alive.

歐葡:Escrever não serve para dar respostas, mas para manter a pergunta viva.


6. 《夜》


中文:有些人一旦遠去,反而更深地棲居於人的思維之中。

英文:Some people, once gone, grow closer to your mind.

歐葡:Há pessoas que, depois de partirem, se tornam mais próximas da tua mente.







2026-10-08

《臨江仙·夢後樓臺高鎖》

 《臨江仙·夢後樓臺高鎖》


北宋 · 晏幾道


夢後樓臺高鎖,酒醒簾幕低垂。

去年春恨卻來時。

落花人獨立,微雨燕雙飛。


記得小蘋初見,兩重心字羅衣。

琵琶弦上說相思。

當時明月在,曾照彩雲歸。


作者簡介


晏幾道(約1038-1110),北宋婉約派詞人,晏殊第七子,世稱「小晏」。詞作多寫舊夢懷人、離別相思,筆調婉轉淒美,情感真摯,這首是他最經典代表作。詞中「小蘋」是昔日相識的歌女;彩雲為比喻,形容小蘋輕美如彩雲。


簡釋


夢醒之後,昔日宴遊的樓臺緊閉;宿酒已醒,重重簾幕靜靜垂落。去年春日的離愁,再度襲上心頭。

獨自佇立落花之中,細雨裡成雙燕子翩飛,反襯人的孤單。猶憶初次見到小蘋,她身著繡有兩重心字圖案的羅衣,彈奏琵琶,弦音訴說相思。當年那輪明月如今依舊,曾經映照如彩雲般的她,踏月歸去。

備註:「往事隨風散,何須念舊扉」不是原作,屬後人續句。



【English】


Riverside Immortal


Yan Jidao (Northern Song)


I wake from dreams; the pavilion gates are tightly locked.

Drunk fades away, the curtains hang low.

Last spring’s sorrow returns once more.

Beneath falling blossoms I stand alone;

In fine rain, swallows fly in pairs.


I recall my first sight of Xiaopin,

Her robe embroidered with double heart patterns.

Her pipa strings breathed longing.

The moon that shone that night remains,

It lit her home, as rosy cloud.


【Português Europeu】


Imortal à Beira do Rio


Yan Jidao (Dinastia Song do Norte)


Acordo dos sonhos; os portais do pavilhão estão trancados.

A embriaguez passa, as cortinas pendem baixas.

A mágoa da primavera passada regressa.

Entre flores caídas fico só;

Na chuva miúda, andorinhas voam aos pares.


Recordo o primeiro encontro com Xiaopin,

O seu vestido com dois corações bordados.

As cordas da pipa contavam saudades.

A lua de então ainda existe,

Iluminou o seu regresso, como nuvem cor-de-rosa.


When the Cranes Fly South

 When the Cranes Fly South


Author:Lisa Ridzén |Translated by Alice Menzies

瑞典處女作文學小說,靈感來自作者祖父晚年照護經歷,探討高齡、失去、親子隔閡與生命尊嚴。

📖故事內容大綱


八十九歲的博(Bo)獨居瑞典北部鄉村,身體日漸衰敗,妻子弗雷迪卡罹患阿茲海默症住進療養院,他僅剩愛犬西克斯滕(Sixten)作為精神寄託,這頭獵麋犬是他最後的陪伴與生存意志的象徵。


博與兒子長年關係緊張,兒子認為博年事已高無力照顧寵物,堅持要把狗帶走。面臨失去狗的威脅,博被迫回望一生:婚姻的遺憾、父子之間從未修復的裂痕、逐漸流失的身體自主權、回憶與現實交錯的晚年日常。


候鳥鶴群向南遷徙,象徵生命季節走向終點。小說沒有激烈劇情,透過平淡瑣事叩問:人到暮年,究竟誰有權決定我們怎樣活;在不斷失去之中,如何與自己的生命達成和解。


《When the Cranes Fly South》是一則溫柔而哀傷的北歐文學作品。以一位獨居長者的視角,書寫衰老帶來的身體衰敗、親人離散、自主權被剝奪的無力。一隻狗牽出父子多年的心結,書中不煽情,用日常細節呈現晚年的孤獨、遺憾與生命尊嚴。文字克制內斂,引導讀者思考老去、失去與寬恕,極具共鳴。


English


When the Cranes Fly South, Lisa Ridzén’s moving debut novel, portrays old‑age frailty, loss and dwindling autonomy through the eyes of an elderly Swedish widower. His beloved dog becomes the last anchor of his life. The conflict over the pet unlocks long‑buried rifts between father and son. Written in restrained, quiet prose without melodrama, it lays bare the loneliness, regret and human dignity of late life, inviting reflection on ageing, bereavement and reconciliation.


Tradução literária em português europeu


When the Cranes Fly South, o comovente romance de estreia de Lisa Ridzén, retrata a fragilidade da velhice, as perdas e a diminuição da autonomia, pelos olhos de um viúvo idoso sueco. O seu cão amado torna‑se a última âncora da sua existência. O conflito acerca do animal desvenda antigas feridas entre pai e filho. Escrito numa prosa contida e calma, sem dramatismos, expõe a solidão, o arrependimento e a dignidade humana na velhice, convidando à reflexão sobre o envelhecimento, o luto e a reconciliação.


Hope is the thing with feathers


作者:Emily Dickinson 艾米莉·狄金森(1830–1886)

Hope is the thing with feathers

That perches in the soul,

And sings the tune without the words,

And never stops at all,

And sweetest in the gale is heard;

And sore must be the storm

That could abash the little bird

That kept so many warm.


I've heard it in the chillest land,

And on the strangest sea;

Yet never, in extremity,

It asked a crumb of me.


《希望,是長著羽翼之物》

希望,是長有翎羽之物,

棲息於靈魂深處,

吟唱無詞的樂章,

從不停駐。


狂風之中,其歌最為清婉;

須是何等酷烈風暴,

方能令這小鳥惶惑羞赧,

牠曾予無數人溫暖。


我曾於最凜寒的大地聽見,

於最荒異的海洋之上;

縱身處窮途絕境,

牠從未向我,索求半片麵包屑。


 Português 


A Esperança é essa coisa com penas

Emily Dickinson


A esperança é essa coisa com penas

Que se pousa na alma,

E entoa uma melodia sem palavras,

E nunca cessa, de todo.


E ouve-se mais doce na ventania;

E terrível há de ser a tempestade

Que possa confundir o pequeno pássaro

Que tantos mantinha aquecidos.


Ouvi-a na terra mais gélida,

E no mar mais estranho;

Contudo, nunca, na extremidade,

Pediu-me uma migalha sequer.

|2026年10月 澳門經濟重點簡析


現時澳門經濟呈明顯結構分化:旅遊休閒主線維持增長,但北區、舊城區舖位空置率上升,個別老店、社區超市結業,市面感覺偏淡。


銀行信貸並非全面停止借貸,而是分類審慎管理:商用物業、舖位投資貸款收緊,如華僑永亨等銀行提高風險門檻;反之自住住宅按揭有政府政策支持,按揭成數放寬,住宅貸款維持正常審批。


吉舖問題源於多重結構因素,不單是信貸收緊,當中包括「澳車北上」令居民消費北移、舖租成本高、舊一代店主退休無人接手,遊客消費重心又集中於氹仔路環,舊區難以分享旅遊紅利。


宏觀上IMF預測2026年澳門經濟有正增長,失業率維持低位;弱點在產業單一,舊區中小企調整屬長期過程,短期難見大改善。投資層面,住宅自住較有政策保障,商用舖位則要高度審慎。


Diary|October 2026

Macao Economy:Key Analysis

Macao’s economy in late 2026 presents clear structural polarisation. Overall tourism growth remains steady, yet old districts and community retail sectors face noticeable recession reflected in rising vacant shops and closure of local outlets. Banks have selectively tightened commercial property credit while keeping residential mortgage policies supportive, indicating cautious market liquidity rather than an overall economic downturn. Current sluggish street business results from cross-border consumption diversion, high rentals and ageing local merchants, rather than a general economic decline.


Analysis

Macao’s economy shows a stark structural divergence. While its core tourism and leisure sector keeps expanding, shop vacancies have risen notably in the Northern District and Old Town, with some local stores and community supermarkets closing down, creating a subdued street-level business atmosphere.


Banks have not halted lending across the board; instead, they adopt differentiated risk controls. Financial institutions such as OCBC Wing Hang have tightened criteria for commercial property and shop investment loans. By contrast, residential mortgage loans for owner-occupied homes remain accessible, backed by government measures including higher loan-to-value ratios.


The surge in empty shop units stems from multiple structural shifts rather than credit tightening alone. The “Macao Vehicles Entering Guangdong” scheme has drawn local consumer spending north to Zhuhai. High rental costs, business succession issues as elderly shop owners retire, and tourists’ concentration on Cotai and Coloane further weaken business prospects in older neighbourhoods.


At the Macao level, the IMF forecasts positive economic growth for Macao in 2026 with low unemployment. Nonetheless, the economy remains overly reliant on tourism, and the revival of small local businesses in old districts will take time. From an investment perspective, owner-occupied residential properties enjoy policy support, whereas commercial shop investments carry substantial risks and require extreme caution.


2026-10-04

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